Reviews
“Anthony Veasna So’s ‘Afterparties’ is a bittersweet testament to the late author’s talents,”
Published in The Washington Post, August 2, 2021. (print and online)
“The Trouble with 'Trouth': Peter Williams's BLACK UNIVERSE”
Published in The Washington Post, October 16, 2020
Ottessa Moshfegh’s ‘Death in Her Hands’ kicks off like a murder mystery. But the missing dead body is beside the point.
Artist Encrusts Tijuana Police Cars With Glitter
Published in Hyperallergic, March 10, 2020
The Anonymous Women Who Embroidered the Cruel History of the Chilean Dictatorship
Published in Hyperallergic, February 21, 2020
The Intimacy of No Wrong Holes: Thirty Years of Nayland Blake at Institute of Contemporary Art, Los Angeles
Published in Autre Magazine, November 18, 2019
The Ghosts That Have Always Been Here: Queer Abuse in Carmen Maria Machado's "In the Dream House"
Haunting Image of Home Amid Climate Change
Published in Hyperallergic, October 15, 2019
How Hustlers shows the importance of female solidarity
Published in The Guardian, September 19, 2019
The Latinx Artists Using Instagram to Fight Erasure in a Gentrifying Los Angeles
Published in Vice, September 16, 2019
Costalegre by Courtney Maum
Ten books that explain the complicated nostalgia of being a child of diaspora
"Someone Great" delivers something different: A Latina lead we haven't seen before
Published in The Lily, May 16, 2019
That Factual Feeling: Voices of "The Good Immigrant"
Terrance Hayes on 2018: American Sonnets for My Past and Future Assassin and the contemporary U.S.
Nostalgia as Resistive Strategy: Dana Czapnik’s “The Falconer”
